The trajectory of my practice is an exploration of the human interface between our built environment, technology, history, futurity, our own self-relevance, and how we navigate this relationship to construct our notions of order. As an Indigenous Futurist, I believe that art can transcend representation and become something sacred that embodies life itself. I believe that through a multiplicity of creation and being, our knowledge can be embedded into the landscape providing access for future generations of prosperity. My work directly engages the notions of a post-human world, but actualizes to activate the possibility of our own prosperity, by painting our self-constructed limitations and deconstructing them.